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Happy Holidays

I think it is the desire of all to all. That 2008 will find us more united and rockers than ever.

I beleive is the wish from everybody to everybody. May 2008 find us more joined and rockers than ever.

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P.F.M with Mel Collins & Pete Sinfield - New Link part 2

Teatro Valdocco,Torino

Italy

1973

Special appearance of Mel Colins and Pete Sinfield, featuring few songs from Sinfield solo material and KC's "Cadence and Cascade" among PFM's own songs, during the concert given by PFM in Iatly in 1973. Vocals on Sinfiled make this double CD bootleg an historical document. Though the quality sound is not so good, it's better than some bootlegs I've listened.

With a special appearance by Mel Collins and Pete Sinfield, playing solo album items Sinfield and "Cadence and Cascade" Crimson between PFM own songs at a concert given by PFM in Italy in 1973. Sinfield's voice makes this double bootleg is a historical document. While the sound quality is not very good, is better than most bootlegs I've heard.

RIVER OF LIFE, Mussa-Premoli-Pagani-Sinfield - IL Banchette, Pagani-Mussa-Premoli - MR.9 TILL 5, Mussa-Premoli-Sinfield - JAM, featuring Mussa, - PFMPremoli Solo, Jam featuring Pagani; - PFMJam featuring Mel Collins - PFMCADENCE AND CASCADE; Fripp-Sinfield - SONG OF THE SEA GOAT; Jump-Sinfield-Vivaldi - THE NIGHT PEOPLE;Brunton-Collins-Jump-Sinfieldi - INTRO;Mussida-Premoli-Pagani-Sinfield - PHOTOS OF GHOSTS;Mussida-Premoli-Pagani-Sinfield

Members:

FLAVIO PREMOLI;Keyboards,Vocals

FRANZ DI CIOCCIO;Drums,Percussion,Vocals

JAN PATRICK DJIVAS;Bass

FRANCO MUSSIDA;Guitars,Vocals

MAURO PAGANI;Violin,Woodwind

Special Guest :MEL COLLINS;Saxophone - PETE SINFIELD;Vocals

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Patrick Moraz & Bill Bruford

Flags

(1985)

England

Premium

progressive, magnificient jazz, lots of Improvisations, drums, piano, pero Among all pure inspiration and high quality performance. You will find here Some Known tunes and melodies, But They Are played and arranged with very good taste. To be taken in account. Excellent

progressive, jazz great, a lot of improv, drums, piano, but mostly a lot of inspiration and high quality execution. May find some familiar tunes, but are arranged in a fantastic way with very good taste. To be taken into account.

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PFM
10 Anni Live (4 CDs)
(1996)
Italy

entire evolution of this magnificent band throughout its history between 1971 and 1978, embodied in different live shows. From its earliest beginnings doing covers of King Crimson, through their golden years and finishing with the band with Bernardo Lanzetti voice, for my spectacular. An exceptional historical document for those nostalgic like me.

The whole evolution of this great band Along STI history entre 1971 and 1978, taken in differnt on stage performances. From Their very first playinc begginings covers of King Crimson, Going Through Their golden years finishing with Bernardo Lanzetti Including live performances in vocals. An exceptional historical document for Those nostalgic as myself.

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Deus Ex Machina
Centofioir Live
(1992) Italy

One of the most powerful progressive bands of the "new generation" . With beautiful music and jazz fusion progressive ingredients of the best 70, this bootleg has a good sound and displays a resemblance to the live performances Area.

One of the main prog bands of the "new generation". With a style which touches the jazz fusion and ingredients of the best 70's prog, this bootleg has a good sound and a certain similitude with Area can be detected.

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Vangelis
Heaven and Hell
Greece
(1975 )

My next few posts will focus on Prog, etc. records that may have been around for a while. At the moment I can no longer scour all the blogs looking for duplicates. So I'm gonna post what I feel like posting - if you beat me to it, my sincerest apologies. It will not be on purpose. I'm not really much of a Vangelis fan - most of his stuff is too New Agey for my personal tastes. But this one is a real winner. Recorded about the time he was buddying around with Jon Anderson of Yes, this record is simply put - fantastic. Symphonic in every sense of the word. Very programmatic, the music evokes vivid images of both heaven and hell and plays as a soundtrack from one through the other. Powerful, exciting music from a guy who unfortunately began to mellow with time. An absolute must.

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Ronnie Montrose

Open Fire

(1978)

USA

Open Fire was guitarist Ronnie Montrose' 1978 creative collaboration with producer Edgar Winter, who also contributed numerous keyboard tracks. Recall it was Montrose adding fiery guitar work to the Edgar Winter Group's classic "They Only Come Out At Night" album ("Frankenstein", "Free Ride"), and this time Winter returns the favor on Montrose' first solo album following the dismantling of the Montrose band. Open Fire really opened up Montrose' guitar playing as he let his six string do the talking on tracks such as "Leo Rising" and the blazing title track. Classic hard rock with touches of symphonic. Great album.

Blue Prints On Buggies

Circa

2007

(2007)

Anglo-American

I think this record will turn-out to be a nice surprise for Yes fans. Composed of two Yes members - Tony Kaye and Alan White - a semi-member/associate, Billy Sherwood on bass, and finally Jimmy Haun on vocals and guitar, who evidently played on the Union tour, but I have my doubts. What the hell did he play? They had two of everything, Jon Anderson being the exception, Anyway, I digress. I didn't really expect much out of this record initially, 'cos the Sherwood/Squire collaboration was pretty lame, and during the short time that Sherwood was in Yes, they seemed to be treading water. Turns out this record is very rewarding - lot of nice thick organs from Kaye's initial turn in Yes, classic pounding rhythm section, and Haun's amazing Howe-like guitar work. The vocals are very pleasing, combining Yes-like melodies and harmonies, although Haun really has more of a Phil Collins-like voice. Makes for an interesting sound. Songs are good, nice production, ocassionally a little slick, but for the most part, a very enjoyable listening experience. I wouldn't call this record a classic, but it is a very good representation of Classic Yes, which is a sound many of us hold so dear. Recommended.

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Anglagard

Buried Alive

(1994) Sweden

For me, one of the best bands in recent years output. Complex music, arranged and performed brilliantly. Influenced by King Crimson, this live album shows them to their full potential. Not wasted.

For me, one of the best bands arised in the last thar years. Complex music, arranged and Execute in a brilliant way. With Influences of King Crimson, this live album shows Them with all their potential. No waste in it.

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Genesis

Live in London 1974

(1975)

England

Review by François Couture

For a Genesis bootleg, this is one of the best available from the Peter Gabriel era. The tape comes from the soundboard and sound quality is very good. The date printed on the cover is obviously wrong, since this is taken from a show from The Lamb Lies Down on Broadway tour, which started in November 1974 and ended in May 1975. The Wembley show happened on April 15, 1975. The track list is also full of errors. Apart from the fact that track two should read "Back in N.Y.C." and track four "The Carpet Crawlers," more importantly track three is not "The Chamber of 32 Doors" but contains instead "Hairless Heart" and "Counting Out Time." Track six is a suite containing "Silent Sorrow in Empty Boats" and the introduction to "The Colony of Slippermen," which segues artificially (since it was never performed that way) into "Ravine," followed by "The Light Dies Down on Broadway" and "Riding the Scree." About half of the show is presented on this CD. Highlights include a demented ending to "Counting Out Time," a moving version of "The Carpet Crawlers," and an excellent "Evil Jam" (which is the atonal free-form jam credited on the album as "The Waiting Room"). The band is in very good shape (even though Tony Banks plays a couple of wrong notes) and the mix puts Steve Hackett's guitar more to the front — it was buried on the studio album. For the fan, this bootleg is a must.

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Malibran

The Wood of Tales

(1990)

Italy

The italian band Malibran was born in 1987, in Catania - Sicilia. At the beginning they had a different drumer and a solo vocalist (metal-styled) that were replaced later. In July 1989 WAS Prog Festival held in Rome with four bands Participating: Malibran, Leviathan, Edith and Notturno Concertante. After this show Their first album The woods of Tales Appeared in 1990. After this debut, the band Received Critics good for Their 70's oriented style and Their Compositions. You Have So here it to judge it by Yourselves.

Malibran The Italian band born in 1987 in Catania, Sicily. At first his training had a different drummer and a singer of Metal forming replaced soon. In July 1989 a progressive Festival was held in Rome four participating bands: Malibran, Leviathan, Edith and Notturno Concertante. After the show his first album came out The Wood of Tales on sale in 1990. After this debut, received rave Critics Malibran his seventies style and his compositions. So here is to be tried for yourself.

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Clock - New Links

Chronology II

(1976) Argentina

Hard progressive rock of the 70's from a band That Was Not Recognized at Its Time. Hard guitars, drums and bass PowerFULL and Some keyboards support for this second album from the main exponent of the hard rock of Argentina. Please listen it really loud. It Deserve It.

Progressive Rock 70's hard for a band that was not recognized at the time. Heavy guitar riffs, a powerful base bass, drums and keyboards for this second album from a major hard rock bands of Argentina. To listen to really loud. He deserves it.

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Spirit
Chrysalis
(1975) Argentina



This concept album is the first work of symphonic rock Spirit. Here with Gustavo Who Fedel keyboards in a superb show domain of the Spirit of Giving synthetizers Yes Tremendous sound like in the Virtuous Basista Complicity with Claudio Martinez. Hope you enjoy it as I do! As Our Posts Are Less Than in the big beggining due to Lack of time, I will start posting in Flac Them when available, and due the size of the file I am using MU, maybe RS. Hope it suits you, Otherwise I'm sorry ...

This concept album is the first symphonic rock Spirit. Gustavo Fedel here on keyboards that shows an excellent command of synthesizers giving the Spirit a tremendous sound to Yes in complicity with bassist Claudio Martínez. Hope you enjoy it like me! As our hikes are lower than at first by a lack of time, start uploading albums Flac where possible, and the file size or perhaps I'll use MU RS. I hope you walk, but I'm sorry ...

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Locanda Delle Fate

Homo homini lupus

(1999)

Italy

Third and last album of the band, Which Has Been my first contact with Them. A really Elaborate styled melodic symphonic music in a calm album, with beautiful melodies and Arrangements. If You've Heard Their first albums (one studio and one live from the 70's), Perhaps you will notice the difference of the years Passed But The escence Still Remains.

Third and final album of the band, which was my first contact with them. A very elaborate work in a symphonic style album melodic music in a quiet, beautiful melodies and arrangements. If you heard his early work (one studio and one live of 70), notice the difference the years have passed, but the essence remains.

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CRITICAL PATH, A TURNING POINT IN TIME

In the construction, it is customary to speak of the critical path is that sequence of activities that ensure the continuation and completion of a project.

In the present context, the Christian Church and the World Today, I consider it extremely important to keep in tune the review of the current context or meaning to assess its impact on our immediate environment, and also note the potential consequences future both in the medium to long term.

a server is not making a completely absolutist construction of projections, I am definitely not a specialist in it, not think anyone on this earth is for sure, nor is the interest of this blog, this would require better use divine prophecy proper hermeneutics, but even there, there is no man's land where only time we will check some of our expectations about the future world.

Rather, our interest is to provide some observations and reflections as we considered necessary for this turning point in the Christian church is experiencing times of change such that perhaps have not been seen since the period of the Lutheran Reformation.

So, should circle on social phenomena, historical events, ideologies and brief comments both social and ecclesiastical aspects, through, within our obvious limitations, providing meanings, meanings, alternative view that a more comprehensive integrated and linked.

My opinions do not belong to any movement, denomination, church or association, but are totally personal and subject matter of my evangelical Christian believer who believes this need as a necessity of life.

There is a prospect that may be complementary to this in another blog I write called The Voice in the Wilderness having more oriented for Christian growth and personal reflection. We are

Critical Path in A Tipping Point in Time

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Miroslav Vitous

Universal Syncopations

(2003) Czechoslovakia

The names on the cover-Miroslav Vitous, Jan Garbarek, Chick Corea, John McLaughlin, Jack DeJohnette-smell like supergroup, But Does not sound like the record the ego jam supergroups descend into. Beautifully played, with an Almost fractal intricacy, Rather Than spacious yet cluttered, and still this is a spontaneous sounding fusion-jazz album of extreme high quality as the musicians That plays in it.

names at the top - Miroslav Vitous, Jan Garbarek, Chick Corea, John McLaughlin, Jack DeJohnette, smells like a supergroup, but the dreams of a disc of virtuoso jam session to show their ego that could fall. Beautifully executed, intricate cuts, more well-spaced with matted, and even with a spontaneous sound is in a jazz fusion album of extraordinary quality com musicians who play in it.